n o t e b o o k s

Kurzbeschreibung

Amazon.co.uk

A young girl lies in a hospital room, her tattooed body very close to death -- there is a bullet lodged in her brain. Several rooms away is the man who tried to kill her, his own body grievously wounded from axe blows inflicted by the girl he has tried to kill. She is Lisbeth Salander, computer hacker and investigator, and the man is her father, a murderous Russian gangster. If Salander recovers from her injuries, she is more than likely to be put on trial for three murders -- the authorities regard her as a dangerous individual. But she won't see the inside of a courtroom if her father manages to kill her first.

This is the high-tension opening premise of the third book in Stieg Larsson?s phenomenally successful trilogy of crime novels which the late author (a crusading journalist) delivered to his publisher just before his death. But does it match up to its two electrifying predecessors, The Girl with the Dragon Tattoo and The Girl who Played with Fire? The success of Larsson?s remarkable sequence of books is, to some degree, unprecedented. Crime fiction in translation has, of course, made a mark before (notably with Peter Hoeg?s Miss Smilla?s Feeling for Snow, published, in fact, by Larsson's British publisher, Christopher MacLehose). But even the success of that book gave no hint of the juggernauts that the Salander books would be (the late author's secondary hero is the journalist Blomqvist -- who bears more than a passing resemblance to Stieg Larsson himself).

There are two overriding reasons for the hold that this massive trilogy has attained on the public: machine-tooled plotting which juggles the various narrative elements with a master's touch and (above all) the vividly realised character of Lisbeth Salander herself. She is something of a unique creation in the field of crime and thriller fiction: emotionally damaged, vulnerable and sociopathic (all of this concealed behind a forbidding Goth appearance), but she is also the ultimate survivor, somehow managing to stay alive despite the machinations of some deeply unpleasant villains (and the new book has a slew of those) as well as the hostility of often stupid establishment figures, who want her out of the picture quite as passionately as the bad guys. She is, of course, aided by the protective journalist Blomqvist, despite the fact that she had dumped him as a lover. The Girl who Kicked the Hornet?s Nest brings together all the elements that have made the previous books of the sequence so successful. Its relentless pace may be a bit exhausting for some readers, but most will be happy to strap themselves in for the ride. It's just a shame that this will be the final book in the sequence (though conspiracy theorists are hinting that Larsson began another manuscript before his untimely death?) --Barry Forshaw

Kurzbeschreibung

There's a smartphone app that can crash a plane. And it's for sale to the highest bidder . . .

Attorney Sasha McCandless is closing in on the prize after eight long years: she's months away from being made partner at a prestigious law firm. All she has to do is keep her head down and her billable hours up. Then a plane operated by her client slams into the side of a mountain, killing everyone aboard. Sasha gears up to prepare a defense to the inevitable civil lawsuits.

She quickly realizes the crash was no accident: a developer has created an application that can control a commercial plane's onboard computer from a smartphone. Sasha joins forces with a federal air marshal who's investigating the crash. As they race to prevent another disaster, people close to the matter start to die. And she's next on the list. Sasha will need to rely on her legal training and her Krav Maga training in equal measure to find and stop a madman before he strikes again.

Irreparable Harm is a taut introduction to an unforgettable protagonist.

Inadvertent Disclosure, the second book in this series, is also available.

Kurzbeschreibung

There's a smartphone app that can crash a plane. And it's for sale to the highest bidder . . .

Attorney Sasha McCandless is closing in on the prize after eight long years: she's months away from being made partner at a prestigious law firm. All she has to do is keep her head down and her billable hours up. Then a plane operated by her client slams into the side of a mountain, killing everyone aboard. Sasha gears up to prepare a defense to the inevitable civil lawsuits.

She quickly realizes the crash was no accident: a developer has created an application that can control a commercial plane's onboard computer from a smartphone. Sasha joins forces with a federal air marshal who's investigating the crash. As they race to prevent another disaster, people close to the matter start to die. And she's next on the list. Sasha will need to rely on her legal training and her Krav Maga training in equal measure to find and stop a madman before he strikes again.

Irreparable Harm is a taut introduction to an unforgettable protagonist.

Inadvertent Disclosure, the second book in this series, is also available.

Kurzbeschreibung

The village of Greenville has a problem, its daughters are being brutally murdered.
When newcomer Jason Denton is connected to the first two victims, Sergeant Underwood makes him his one and only suspect. He sets out to prove the successful novelist doesn't just write about murder, he commits it.
Constable Harp isn't convinced the village's hunky new resident is guilty, despite the evidence. Are his good looks clouding her judgement?
Is Jason innocent of the murders, or is he playing games with the police like the characters in his books?
Contains graphic violence.

Kurzbeschreibung

The village of Greenville has a problem, its daughters are being brutally murdered.
When newcomer Jason Denton is connected to the first two victims, Sergeant Underwood makes him his one and only suspect. He sets out to prove the successful novelist doesn't just write about murder, he commits it.
Constable Harp isn't convinced the village's hunky new resident is guilty, despite the evidence. Are his good looks clouding her judgement?
Is Jason innocent of the murders, or is he playing games with the police like the characters in his books?
Contains graphic violence.

Kurzbeschreibung

Produktbeschreibung

Erscheinungsjahr: 1992
Gewicht: 148 gr / Abmessung: 20 cm
Von Wilde, Oscar

Hinweis:
Lieferung vom Verlag mit leichten Qualitätsmängeln möglich

From Amazon.co.uk

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.co.uk

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.com

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Produktbeschreibung

Erscheinungsjahr: 2011
Von James, P. D.

P. D. James masterfully recreates the world of Pride and Prejudice, and combines it with the excitement and suspense of a brilliantly-crafted crime story.

The year is 1803, and Darcy and Elizabeth have been married for six years. There are now two handsome and healthy sons in the nursery, Elizabeth''s beloved sister Jane and her husband Bingley live nearby and the orderly world of Pemberley seems unassailable. But all this is threatened when, on the eve of the annual autumn ball, the guests are preparing to retire for the night when a chaise appears, rocking down the path from Pemberley''s wild woodland. As it pulls up, Lydia Wickham - Elizabeth''s younger, unreliable sister - stumbles out screaming that her husband has been murdered. Inspired by a lifelong passion for the work of Jane Austen, PD James masterfully recreates the world of Pride and Prejudice, and combines it with the excitement and suspense of a brilliantly-crafted crime story.
Death Comes to Pemberley is a distinguished work of fiction, from one of the bestloved, most- read writers of our time.

Kurzbeschreibung

Amazon.co.uk

Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ?Millennium? sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable ? something of a modern hero, in fact.

One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with ? strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her ? whether she wants his help or not.

As with Larsson?s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence. --Barry Forshaw

Kurzbeschreibung

With a couple of dead bodies thrown in, Detective Brady Marshall?s stolen goods case has just become a lot more interesting. His love life takes a turn for the better when he meets Gina Morris, a feisty waitress at the club where the latest victim has surfaced. A happily unattached ladies? man, Brady isn?t looking to settle down. But after meeting the beautiful Italian spitfire, his thoughts are shifting in that direction.

Gina Morris doesn?t date cops. Until she meets Brady, that is, and gets won over by his dogged persistence and winning smile. With things in her past that are best left unspoken, Gina hesitates to get too close, but can?t resist the handsome detective?s charm. When his case runs smack dab into her past life, both of them are forced to make choices they never dreamed possible in an attempt to salvage their relationship, and possibly even save their lives.

Kurzbeschreibung

With a couple of dead bodies thrown in, Detective Brady Marshall?s stolen goods case has just become a lot more interesting. His love life takes a turn for the better when he meets Gina Morris, a feisty waitress at the club where the latest victim has surfaced. A happily unattached ladies? man, Brady isn?t looking to settle down. But after meeting the beautiful Italian spitfire, his thoughts are shifting in that direction.

Gina Morris doesn?t date cops. Until she meets Brady, that is, and gets won over by his dogged persistence and winning smile. With things in her past that are best left unspoken, Gina hesitates to get too close, but can?t resist the handsome detective?s charm. When his case runs smack dab into her past life, both of them are forced to make choices they never dreamed possible in an attempt to salvage their relationship, and possibly even save their lives.